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"And perhaps, too, the law may be on his side: there is plenty of time yet for a missing will or a—a—useful witness to turn up. That will," says Mona, musingly, "must be somewhere. I cannot tell you why I think so, but I am quite sure it is still in existence, that no harm has come to it. It may be discovered yet.",

"Did you see the pig," she says, "sitting up by the fireplace? All through I couldn't take my eyes off him. He struck me as so comical. There he sat blinking his small eyes and trying to look sympathetic. I am convinced he knew all about it. I never saw so solemn a pig.",

"No, darling, no; I am afraid not," he says, very gently. But for the poor child's tender earnestness and good faith, he could almost have felt some faint amusement; but this offering of hers is to him a sacred thing, and to treat her words as a jest is a thought far from him. Indeed, to give wilful offence to any one, by either word or action, would be very foreign to his nature. For if "he is gentil that doth gentil dedis" be true, Rodney to his finger-tips is gentleman indeed.,

Lady Rodney, rising hurriedly, sails with offended dignity from the room.

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"There! take it. I can be generous too.",

Her face is hidden; it is lying on her arms, and they are cast, in the utter recklessness and abandonment of her grief, across the feet of him who, only yesterday, had been her "man,"—her pride and her delight.,

"I regret that I met them," says Mona, who will not say she regrets she told the truth.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.